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Andrew deWaard
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Derivative Media is out now!
Harper’s Cover Story
Derivative Media: How Wall Street Devours Culture
IASPM 2024 conference presentation: “Music as an Asset Class”
From Copyright Cartels to Commons and Care: A Public Infrastructure Model for Canadian Music Communities
Independent Canadian Music in the Streaming Age: The Sound from Above (Critical Political Economy) and Below (Ethnography of Musicians)
Interview in Usbek & Rica
Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry
The Cultural Capital Project: Digital Stewardship and Sustainable Monetization for Canadian Independent Musicians
Dissertation – “Derivative Media: The Financialization of Film, Television, and Popular Music, 2004-2016”
Cinema Journal Teaching Dossier: ClipNotes in the Classroom
Oxford Bibliography: Steven Soderbergh
Inertia: A Conference on Sound, Media, and the Digital Humanities
The Cinema of Steven Soderbergh
The Cultural Capital Project
ClipNotes
The Hood is Where the Heart is
Intertextuality, Broken Mirrors, and The Good German
Cinephile Vol. 7, No. 1: Reassessing Anime
Cinephile Vol. 6, No. 2: Horror Ad Nauseam
French Minority Cinema
Cinephile Vol. 6, No. 1: Sound on Screen
Theorizing Bruce Lee:
Film–Fantasy–Fighting–Philosophy
Cinephile Vol. 5, No. 2: The Scene
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