Andrew deWaard

Assistant Professor, University of California San Diego

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August 11, 2020August 11, 2020

Interview in Usbek & Rica

I was interviewed by the French publication Usbek & Rica, along with Colin Tait, my co-author on The...

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May 5, 2020July 7, 2020

Wall Street’s Content Wars: Financing Media Consolidation

deWaard, Andrew. “Wall Street’s Content Wars: Financing Media Consolidation,” in Content Wars: Tech Empires vs. Media Empires. Ed....

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April 19, 2020August 11, 2020

Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry

deWaard, Andrew. “Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry.” JCMS:...

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September 17, 2018October 16, 2019

The Cultural Capital Project: Digital Stewardship and Sustainable Monetization for Canadian Independent Musicians

Brian Fauteux (University of Alberta), Brianne Selman (University of Winnipeg), Ian Dahlman (Canadian Heritage) and I have recently...

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October 17, 2017April 19, 2020

Dissertation – “Derivative Media: The Financialization of Film, Television, and Popular Music, 2004-2016”

deWaard, Andrew. “Derivative Media: The Financialization of Film, Television, and Popular Music, 2004-2016.” University of California, Los Angeles....

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January 10, 2016September 29, 2016

Cinema Journal Teaching Dossier: ClipNotes in the Classroom

I’ve contributed an essay to Cinema Journal Teaching Dossier Vol 3.3: “DH and Media Studies Crossovers.” My article...

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June 29, 2015April 19, 2020

Oxford Bibliography: Steven Soderbergh

I’ve contributed an exhaustive, annotated bibliography on Steven Soderbergh for Oxford Bibliographies. Unfortunately it’s hidden behind a paywall...

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May 7, 2015April 19, 2020

Inertia: A Conference on Sound, Media, and the Digital Humanities

As coordinator of the Digital Humanities Working Group @ UCLA, I helped organize Inertia: A Conference on Sound,...

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June 17, 2013August 12, 2020

The Cinema of Steven Soderbergh

deWaard, Andrew and R. Colin Tait. The Cinema of Steven Soderbergh: indie sex, corporate lies and digital videotape. New...

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June 16, 2013October 16, 2019

The Cultural Capital Project

Cultural Capital is a collaborative research project between myself, Brian Fauteux (Media & Cultural Studies, University of Wisconsin-Madison) and...

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June 15, 2013November 21, 2016

ClipNotes

ClipNotes is a software program that uses XML mark-up of film to facilitate quick segmentation, annotation and presentation...

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February 20, 2012November 21, 2016

The Hood is Where the Heart is

deWaard, Andrew. “The Hood is Where the Heart is: Melodrama, Habitus, and the Hood Film.” Habitus of the Hood....

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March 9, 2011November 21, 2016

Intertextuality, Broken Mirrors, and The Good German

deWaard, Andrew.  “Intertextuality, Broken Mirrors, and The Good German.” The Philosophy of Steven Soderbergh.  Eds. Steven M. Sanders and...

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March 5, 2011November 21, 2016

Cinephile Vol. 7, No. 1: Reassessing Anime

The latest issue of UBC’s film journal, Cinephile, is out now: Anime is a visual enigma. Its otherworldly allure...

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November 20, 2010November 21, 2016

Cinephile Vol. 6, No. 2: Horror Ad Nauseam

The latest issue of UBC’s film journal, Cinephile, is out now: Horror cinema has always held a strange place...

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October 14, 2010November 21, 2016

French Minority Cinema

As assistant editor at Rodopi on the Contemporary Cinema series, I proof-read, copy-edit, and format, then do layout for print and design...

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April 4, 2010November 21, 2016

Cinephile Vol. 6, No. 1: Sound on Screen

The latest issue of UBC’s film journal, Cinephile, is out now: Even with a relatively innocuous theme such as...

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January 4, 2010November 21, 2016

Theorizing Bruce Lee:
Film–Fantasy–Fighting–Philosophy

As assistant editor at Rodopi on the Contemporary Cinema series, I play a considerable role in bringing books...

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September 28, 2009November 21, 2016

Cinephile Vol. 5, No. 2: The Scene

The latest issue of our film journal, Cinephile, is out now — the theme is ‘The Scene’. There...

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May 28, 2009November 21, 2016

The Museum: Textworks, Cultural Economy, and Polytextual Dispersion

deWaard, Andrew.  The Museum: Textworks, Cultural Economy, and Polytextual Dispersion.  MA Thesis, University of British Columbia, 2009. cIRcle:...

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April 28, 2009November 21, 2016

Cinephile Vol. 5, No 1:
Far From Hollywood, Alternative World Cinema

Cinephile has released its latest issue: ‘Far From Hollywood’ – Alternative World Cinema: …in this, our 5th anniversary...

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March 5, 2009November 21, 2016

Joints and Jams: Spike Lee as Sellebrity Auteur

deWaard, Andrew. “Joints and Jams: Spike Lee as Sellebrity Auteur.” Fight the Power!: The Spike Lee Reader. Eds....

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February 27, 2009November 21, 2016

Tom LeClair’s Passing Trilogy: Recovering Adventure in the Age of Post-Genre

Steffen Hantke has quoted me in his essay entitled Tom LeClair’s Passing Trilogy: Recovering Adventure in the Age...

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December 14, 2008November 21, 2016

Cinephile Vol. 4, No. 1: Post-Genre

Cinephile is the scholarly film journal published in print and online by the graduate students in Film Studies...

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