Brianne Selman, Brian Fauteux, and Andrew deWaard. “From Copyright Cartels to Commons and Care: A Public Infrastructure Model...
Independent Canadian Music in the Streaming Age: The Sound from Above (Critical Political Economy) and Below (Ethnography of Musicians)
Andrew deWaard, Brian Fauteux & Brianne Selman. “Independent Canadian Music in the Streaming Age: The Sound from Above...
Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry
deWaard, Andrew. “Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry.” JCMS:...
Dissertation – “Derivative Media: The Financialization of Film, Television, and Popular Music, 2004-2016”
deWaard, Andrew. “Derivative Media: The Financialization of Film, Television, and Popular Music, 2004-2016.” University of California, Los Angeles....
Cinema Journal Teaching Dossier: ClipNotes in the Classroom
I’ve contributed an essay to Cinema Journal Teaching Dossier Vol 3.3: “DH and Media Studies Crossovers.” My article...
Oxford Bibliography: Steven Soderbergh
I’ve contributed an exhaustive, annotated bibliography on Steven Soderbergh for Oxford Bibliographies. Unfortunately it’s hidden behind a paywall...
The Cinema of Steven Soderbergh
deWaard, Andrew and R. Colin Tait. The Cinema of Steven Soderbergh: indie sex, corporate lies and digital videotape. New...
The Cultural Capital Project
Cultural Capital is a collaborative research project between myself, Brian Fauteux (Media & Cultural Studies, University of Wisconsin-Madison) and...
The Hood is Where the Heart is
deWaard, Andrew. “The Hood is Where the Heart is: Melodrama, Habitus, and the Hood Film.” Habitus of the Hood....
Intertextuality, Broken Mirrors, and The Good German
deWaard, Andrew. “Intertextuality, Broken Mirrors, and The Good German.” The Philosophy of Steven Soderbergh. Eds. Steven M. Sanders and...
Cinephile Vol. 5, No. 2: The Scene
The latest issue of our film journal, Cinephile, is out now — the theme is ‘The Scene’. There...
The Museum: Textworks, Cultural Economy, and Polytextual Dispersion
deWaard, Andrew. The Museum: Textworks, Cultural Economy, and Polytextual Dispersion. MA Thesis, University of British Columbia, 2009. cIRcle:...
Cinephile Vol. 5, No 1:
Far From Hollywood, Alternative World Cinema
Cinephile has released its latest issue: ‘Far From Hollywood’ – Alternative World Cinema: …in this, our 5th anniversary...
Joints and Jams: Spike Lee as Sellebrity Auteur
deWaard, Andrew. “Joints and Jams: Spike Lee as Sellebrity Auteur.” Fight the Power!: The Spike Lee Reader. Eds....
Tom LeClair’s Passing Trilogy: Recovering Adventure in the Age of Post-Genre
Steffen Hantke has quoted me in his essay entitled Tom LeClair’s Passing Trilogy: Recovering Adventure in the Age...
Cinephile Vol. 4, No. 1: Post-Genre
Cinephile is the scholarly film journal published in print and online by the graduate students in Film Studies...